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In 1991, while brainstorming with artist Nathan
Oliveira, Hand Graphics owner and master printer Michael Costello began
formulating a plan to marry state of the art computer technology and
traditional printmaking techniques. Our publication of Mr. Oliveira's
suite of four photo-electric intaglios, "Revisited," marks the
actualization of that afternoon's musings.
The
process began with 35mm slides of four monotype images by the artist.
These were scanned into a Macintosh using Adobe Photoshop software and a
Nikon scanner. This software allows the user to convert imagery to a
digital format which can then be printed on mylar sheets.
The subsequent steps involved translating the mylar
images to photo-positive, copper etching plates. The plates were then
exposed, aqua-tinted, etched, proofed, and further manipulated by Nathan
Oliveira. Traditional dry point, engraving, etching and burnishing
techniques were used. Proofing the prints took more than a month. The
finished plates were hand inked, wiped, and printed on a manual etching
press.
One
advantage of this medium is the extensive opportunity for an artist to
further manipulate their imagery in the computer using software tools,
on the mylar by using standard additive/subtractive methods, or on the
plate using traditional intaglio techniques.
The results are stunning. Creating prints that didn't look
"digital" was of the utmost importance to everyone involved in
the project. In fact, the artist worked purposefully to create a sense
of antiquity in these pieces -- a deliberate nod to the Renaissance
masters he so greatly admires.
Current price for "Revisited," a suite of four
photo-electric intaglios, with case, is $3,800.
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Image: © Nathan Oliveira
"Revisited"
Photo-electric intaglio

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