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H A N
D G R A P H I C S
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Established in 1974, Hand Graphics is the most comprehensive, privately owned printmaking atelier in the Southwest. Our multi-faceted facility, located in Santa Fe, New Mexico, is an artist's resource for lithograph, intaglio, monotype and photo etching printing of the highest standards. |
Our on-premises gallery offers collectors a very broad range of high-quality works on paper. We also offer tours of the print-making facilities. Hand Graphics is conveniently located.
The Hand Graphics Atelier offers a relaxed, well equipped, and pleasantly lighted environment. An atmosphere conducive to artistic creativity and technical excellence. We emphasize a one to one, collaborative relationship between artist and printer. Our experienced staff enjoys introducing artists to new mediums, as well as working with veteran printmakers. State-of-the-art plate making equipment allows us to produce both etching and lithographic editions for out of town artists, via drawings on mylar. In addition, works in inventory by more than 90 artists can be seen in our on premises Gallery.
Visit our FEATURED ARTIST
GALLERY,
to see a large collection of Carol
Anthony Monotypes.
We are very
proud to present an important collection of
African American Artists
in the "Resounding Heart" Portfolio
RESOUNDING
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Santa Fe Portfolio |
The Santa Fe Portfolio is a group of ten
original prints, each created by a different artist. The Portfolio was published by Hand Graphics in 1994. |
| Fine Art Print Gallery and Atelier 2312 West Alameda Santa Fe, NM 87501 Phone: 505-438-0987 Fax: 505-474-0398 Michael Costello, Owner and Master Printer Hand Graphics Farm Location: |
Carol Anthony Night
Pear, Springtime |
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Emilio Lobato |
FEATURED GALLERY ARTISTS |
Lithography / IntaglioThe well-appointed workspace features: 50" x 32" Charles Brand lithography press 72" x 39" Takach-Garfield etching press 60" x 34" Takach-Garfield etching press a wide range of lithographic stones photo-litho and photo-etching facilities (up to 35" x 44") vacuum heat press for fast drying/flattening of prints |
Proofing charges
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Proofing charges
please request a full price list for more complete information. One stone/plate on 15" x 22" paper US $190 Five stones/plates on 22" x 30" paper US $1,130 Ten stones/plates on 29" x 41" paper US $2,485
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Printing charges
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Printing charges please request a full price list for more complete information. One stone/plate on 15" x 22" paper US $8.10 Five stones/plates on 22" x 30" paper US $48.85 Ten stones/plates on 29" x 41" paper US $135.00
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Other important information
The following are exceptions to the minimum prices shown above
Paper: The material costs included in our standard fees are based on the use of Arches Cover or its equivalent. The use of a more expensive paper would result additional charges.
Chine Colle: There will be a charge of $30.00 per man hour for the making of templates, cutting and applying paper, and a charge for the paper itself.
Blend or Split runs: There will be a 10-20% surcharge for each stone or plate which involves multiple colors.
Photo-Lithographic: The cost of any special photographic work is not included.
2-up images: Projects involving two images printed simultaneously must be priced on a per project basis.
Shipping: Packing and freight charges are not included.
Stones: Please add a preparation fee of $75.00 per stone used in your project to the proofing costs.
Payment: A 50% deposit against estimated proofing charges is required to confirm scheduled proofing. The balance of proofing charges are due upon commencement of your project. Upon completion of proofing, a 50% deposit against scheduled printing fees is required. The balance of printing charges are due upon completion of edition printing.

All monotype sessions begin at 9am and end at 5pm. You will be provided the assistance of a printer for this time, with the exception of a one-hour lunch break. The fee includes inks, plates, solvents, and other shop tools. You must provide your own oil-based brushes. We take care of both set-up and clean-up. Paper is not included. Sorry, no half days.
Solo session
You get our undivided attention! The fee for solo sessions is $325.00 per day.
There is no maximum number of prints for solo sessions.
Paper
You may supply your own paper, or purchase directly from us. We stock these
papers.
| PAPER | 22" X 30" | 29" X 41" | 30" X 44" | 31" X 47" |
| Arches Cover Arches 88 Rivevs BFK BFK Tan BFK Grey Somerset Black Somerset Buff Kitikata |
$ 3.00 $ 3.50 $ 3.00 $ 3.50 $ 3.50 $ 3.50 $ 3.00 $ 3.50 (16" x 20") |
$ 6.00 x $ 6.00 x x x x |
x x x $ 7.00 $ 7.00 $ 7.00 $ 6.00 |
x x $ 8.00 x x x x |
Payment policy
Payment in full is appreciated at the end of your work day. We can accept
Visa/MC for a slight additional fee. Hand Graphics does retain the right to hold
prints until such time as payment in full has been received.
Cancellations
Don't! But if you must, TWO weeks notice please. We acknowledge that this isn't
always possible (emergencies, acts of God, etc...), but in general, failure to
provide us with a two week notice will result in a downtime charge of $100.00.
Hint: "not feeling like it" is not an act of God and "the best
powder in years" is not an emergency.

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In 1991, while brainstorming with artist Nathan Oliveira, Hand Graphics owner and master printer Michael Costello began formulating a plan to marry state of the art computer technology and traditional printmaking techniques. Our publication of Mr. Oliveira's suite of four photo-electric intaglios, "Revisited," marks the actualization of that afternoon's musings. The process began with 35mm slides of four monotype images by the artist. These were scanned into a Macintosh using Adobe Photoshop software and a Nikon scanner. This software allows the user to convert imagery to a digital format which can then be printed on mylar sheets.The subsequent steps involved translating the mylar images to photo-positive, copper etching plates. The plates were then exposed, aqua-tinted, etched, proofed, and further manipulated by Nathan Oliveira. Traditional dry point, engraving, etching and burnishing techniques were used. Proofing the prints took more than a month. The finished plates were hand inked, wiped, and printed on a manual etching press. One advantage of this medium is the extensive opportunity for an artist to further manipulate their imagery in the computer using software tools, on the mylar by using standard additive/subtractive methods, or on the plate using traditional intaglio techniques.The results are stunning. Creating prints that didn't look "digital" was of the utmost importance to everyone involved in the project. In fact, the artist worked purposefully to create a sense of antiquity in these pieces -- a deliberate nod to the Renaissance masters he so greatly admires.
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Image: © Nathan Oliveira
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Plate making and Proofing images up to 8" x 10" $250.00 first plate - $200.00 each additional images up to 10" x 16" $300.00 first plate - $250.00 each additional images up to 16" x 20" $350.00 first plate - $300.00 each additional Please note that the above proofing costs are based on linear dimension. An image that is 11" x 14", for example, will cost $350.00 to proof, even though total square area is less than an image that is 10" x 16". Printing Paper 15" x 22" paper $1.00 per impression 22" x 30" paper $2.00 per impression Rice papers for Chine Colle' varies There is a minimum charge of $15.00 per edition impression (Printing+ Paper).
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| Ron Adams Page Allen Carol Anthony Elaine Anthony David Barbero Helen Beck Lynda Benglis Tom Berg +++++++ Bergt Lynn Bernay John Biggers Earl Biss Tarleton Blackwell Jack Boynton Clayton Campbell Jamie Chase Judy Chicago Robert Colescott Doris Cross Alonzo Davis Joellen Duesberry Eyvind Earle Frank Ettenberg Gary Faigin John Fincher Harry Fonseca Aaron Freeland Valerie Graves Darren Vigil Gray Roger Guillemin |
Woody Gwyn |
Daniel Morper Kathleen Morris Forrest Moses Sergio Moyano Dan Namingha Eugene Newmann M Nibbelink Joe Novak Nathan Oliveira Jane Pagliarulo Tom Palmore Paul Pascarella Kevin Red Star Mary Ristow Dolona Roberts Ron Robles Ford Ruthling John Scott Bert Seabourn Paul Shapiro Phyllis Sloane Mark Spencer Myrtle Stedman Joyce Stolaroff Renée Stout Virginia Stroud Mary Sundstrom H. Joe Waldrum Idelle Weber Charles White Emmi Whitehorse |